Ni Made Widisanti Swetasurya

Judul	:	Representasi Poligami dalam Film Berbagi Suami Kajian terhadap Tiga Tokoh Sentral Perempuan
Abstrak	:	Polygamy is considered a very sensitive issue but always interesting to be discussed and even to be debated because the results frequently lead to pro and contra attitudes. Based on this, the representation of polygamy in the film Berbagi Suami (Love for Share) (2006) was raised as a topic in this article with a focus on the problem of how polygamy is represented and what kind of polygamy discourse is built in this film based on the review on three female central characters. The aim is to demonstrate the form and discourse of polygamy through Hall's theory of representation and Foucault's discourse concept using descriptive analysis methods and Gillian Rose's visual methodology. The results of the analysis show that in the film Berbagi Suami (Love for Share) (2006), polygamy is represented as a marriage system that can be practiced by anyone from any group, but still with all kinds of consequences that go with it because polygamous marriage is not an easy marriage to live with, especially for women who are still represented as victims, both physiologically, psychologically and sociologically, which is shown by the impacts obtained from polygamous marriages such as economic hardship, not getting justice, tiring physiological conditions for women in particular and their families in general due to the large number of children that they must bear and financially support if they do not have an established economic condition, including social labeling. Therefore, it can be said that the discourse on polygamy in this film is that polygamy is still seen as a concept of marriage which is complex and tends to harm women. Key words : Polygamy, central characters, women, representation
Tahun	:	2021	Media Publikasi	:	Jurnal Nasional Blm Akreditasi
Kategori	:	Jurnal	No/Vol/Tahun	:	1 / 27 / 2021
ISSN/ISBN	:	0853-5876/2622-4356
PTN/S	:	Universitas Pakuan	Program Studi	:	BAHASA & SASTRA INGGRIS
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