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Shita Dewi Ratih P.

Judul : Performativity of non-Heterosexual Subject : A Textual Analysis of Arisan ! 2 (2011)

Abstrak :
In Indonesia, homosexuality is still perceived as problems mostly related to “moral” decadency even though it has long been deep-rooted and practiced in many parts of the archipelago. In contemporary Indonesia, two opposing discourses have been voiced. Those opposing homosexuality have been actively promoting their objection to the growth of this alternative sexuality while others keep campaigning the countering discourses to include these nonheterosexual subjects. Arisan 2 is Nia Dinata’s film which portrays the life of non-heterosexual subjects in urban context. As a cultural product, a film is inseparable from certain dominant ideology. Through textual analysis and cultural studies perspective as well as Butler’s performativity, the objective of this paper is to explore the performativity of the non-heterosexual characters in the film and how they negotiate their sexuality. This paper also aims to analyse how their sexualities are articulated within heteronormativity as the dominant ideology.

Tahun : 2019 Media Publikasi : Jurnal Internasional

Kategori : Jurnal No/Vol/Tahun : Jurnal Internasional bereputasi / - / 2019

ISSN/ISBN : -

PTN/S : Universitas Pakuan Program Studi : BAHASA & SASTRA INGGRIS

Bibliography :
Barker, Meg-John & Scheele, J. (2016). Queer A Graphic History. London: Icon Books Ltd, Omnibus Business Centre. Barker, C. (2000). Cultural Studies: Theory and Practice. London: Sage Publication. Butler, J. (1990). Gender Trouble: Feminism and the Subversion of Identity. London: Routledge. Cooper, B. (2002). Boys Don’t Cry and Female Masculinity: Reclaiming a Life and Dismantling the Politics of Normative Heterosexuality. Critical Studies in Media Communication, Vol 19 No., 44–63. Foucault, M. (1998). The Will To Knowledge: The History of Sexuality, Volume One. London: Penguin. Gauntlett, D. (2005). Media, Gender, and Identity: An Introduction (Second Edi). New York: Routledge. Guild, J. (2019). How has Indonesian Society Evolved to Accept and then Reject Homosexuality in Cinema. Retrieved January 24, 2020, from https://www.cinemaescapist.com/2019/09/reviewarisan-indonesia-movie/ Kurniawan, E. (2018). Performativitas Seksualitas Sebagai Afirmasi dan Negosiasi Terhadap Heteronormativitas Dalam Media Sosial Path. Universitas Indonesia. Munir, M. (2011). “Coming Out”: The Representation of Male Same-Sex Relationship in Nia Dinata’s Arisan. Jati, 16(December), 113–129. Munir, M. (2014). Challenging the New Order’s Gender Ideology in Benjamin Sueb’s Betty Bencong Slebor : A Queer Reading. Plaridel, 11(2), 95–116. Murtagh, B. (2016). Genders and Sexualities in Indonesian Cinema: Constructing Gay, Lesbi, and Waria Identities on Screen. New York: Routledge Taylor and Francis Group. Murtagh, B. (2017). Gay, Lesbi and Waria Audiences in Indonesia. Indonesia and the Malay World, 39, No. 11, 391–415. https://doi.org/10.1080/13639811.2011.614088 Strinati, D. (2005). An introduction to Theories of Popular Culture (Second Edi). London & New York: Routhledge. Tambunan, S. M. G. (2006). The Representation of “ The Holy Virgin ” in the Urban Society Teenage Sexuality in Two Indonesian Movies : “ Virgin ” and “ Jomblo ,” 1–8. Wieringa E., S. (2010). Kenanekaragaman Gender di Asia: Pertarungan Diskursif dan Implikasi Legal (translated by Kathleen Azali). Jurnal Gandrung, Vol 1., 17. Yulius, H. (2015). Coming Out. Kepustakaan Populer Gramedia, Jakarta.

URL : https://ijmmu.com/index.php/ijmmu/article/view/1464

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Shita Dewi Ratih P.

Judul	:	Performativity of non-Heterosexual Subject : A Textual Analysis of Arisan ! 2 (2011)
Abstrak	:	In Indonesia, homosexuality is still perceived as problems mostly related to “moral” decadency even though it has long been deep-rooted and practiced in many parts of the archipelago. In contemporary Indonesia, two opposing discourses have been voiced. Those opposing homosexuality have been actively promoting their objection to the growth of this alternative sexuality while others keep campaigning the countering discourses to include these nonheterosexual subjects. Arisan 2 is Nia Dinata’s film which portrays the life of non-heterosexual subjects in urban context. As a cultural product, a film is inseparable from certain dominant ideology. Through textual analysis and cultural studies perspective as well as Butler’s performativity, the objective of this paper is to explore the performativity of the non-heterosexual characters in the film and how they negotiate their sexuality. This paper also aims to analyse how their sexualities are articulated within heteronormativity as the dominant ideology.
Tahun	:	2019	Media Publikasi	:	Jurnal Internasional
Kategori	:	Jurnal	No/Vol/Tahun	:	Jurnal Internasional bereputasi / - / 2019
ISSN/ISBN	:	-
PTN/S	:	Universitas Pakuan	Program Studi	:	BAHASA & SASTRA INGGRIS
Bibliography	:	Barker, Meg-John & Scheele, J. (2016). Queer A Graphic History. London: Icon Books Ltd, Omnibus Business Centre. Barker, C. (2000). Cultural Studies: Theory and Practice. London: Sage Publication. Butler, J. (1990). Gender Trouble: Feminism and the Subversion of Identity. London: Routledge. Cooper, B. (2002). Boys Don’t Cry and Female Masculinity: Reclaiming a Life and Dismantling the Politics of Normative Heterosexuality. Critical Studies in Media Communication, Vol 19 No., 44–63. Foucault, M. (1998). The Will To Knowledge: The History of Sexuality, Volume One. London: Penguin. Gauntlett, D. (2005). Media, Gender, and Identity: An Introduction (Second Edi). New York: Routledge. Guild, J. (2019). How has Indonesian Society Evolved to Accept and then Reject Homosexuality in Cinema. Retrieved January 24, 2020, from https://www.cinemaescapist.com/2019/09/reviewarisan-indonesia-movie/ Kurniawan, E. (2018). Performativitas Seksualitas Sebagai Afirmasi dan Negosiasi Terhadap Heteronormativitas Dalam Media Sosial Path. Universitas Indonesia. Munir, M. (2011). “Coming Out”: The Representation of Male Same-Sex Relationship in Nia Dinata’s Arisan. Jati, 16(December), 113–129. Munir, M. (2014). Challenging the New Order’s Gender Ideology in Benjamin Sueb’s Betty Bencong Slebor : A Queer Reading. Plaridel, 11(2), 95–116. Murtagh, B. (2016). Genders and Sexualities in Indonesian Cinema: Constructing Gay, Lesbi, and Waria Identities on Screen. New York: Routledge Taylor and Francis Group. Murtagh, B. (2017). Gay, Lesbi and Waria Audiences in Indonesia. Indonesia and the Malay World, 39, No. 11, 391–415. https://doi.org/10.1080/13639811.2011.614088 Strinati, D. (2005). An introduction to Theories of Popular Culture (Second Edi). London & New York: Routhledge. Tambunan, S. M. G. (2006). The Representation of “ The Holy Virgin ” in the Urban Society Teenage Sexuality in Two Indonesian Movies : “ Virgin ” and “ Jomblo ,” 1–8. Wieringa E., S. (2010). Kenanekaragaman Gender di Asia: Pertarungan Diskursif dan Implikasi Legal (translated by Kathleen Azali). Jurnal Gandrung, Vol 1., 17. Yulius, H. (2015). Coming Out. Kepustakaan Populer Gramedia, Jakarta.
URL	:	https://ijmmu.com/index.php/ijmmu/article/view/1464